Sunday, June 21, 2009

The People of Encinitas vs Casio EX-V8

Here's a video I shot w/ my Casio EX-V8 at the corner of Olivenhain and El Camino Real in Encinitas, California.

I received a red light camera notice in the mail for the above intersection (infraction date was late April). Traveling westbound on Olivenhain, the speed limit is 50 MPH. Per California Vechicle Code section 21455.7, the minimum required Yellow Signal Interval is 4.7 seconds.

I clicked on the link to my alleged violation and could not believe my eyes... the original video showed the light was yellow for only 3.7 seconds! I had to go and check it out myself, so I shot another 'live' video at the same intersection today.

... my 'live' video confirms the yellow interval is only 3.7 seconds.



I'm now looking forward to my court date. This red light camera has nothing to do with safety, as the yellow signal interval has been out of calibration for at least 2 months. It can easily be inferred that the city of Encinitas is attempting to extract toll revenue from motorists approaching from Carlsbad and San Marcos.

Hat tip to highwayrobbery.net for listing the red light camera rules all in one place.

Sunday, January 25, 2009

I finally broke down, joined the 20th century, and bought my first iPod (Touch 16 GB) this week.

I've been a Palm user for quite some time (including storing wallet photos) and was holding out hope that Palm would offer something competitive with the iPod, but there is no such animal on the horizon. I know the 'Pre' is coming out, but this is to compete w/ the iPhone, and I am not about to pay $60 per month/$700 per year for a cell phone.

So Here goes...
How to migrate from an old Palm Pilot (Tungsten E) to iPod Touch in 30 steps or less, WITHOUT installing or paying for any 3rd party software on your home computer.

Initial Conditions:
----------------------
Palm Desktop installed on Windows Laptop, NO MS OFFICE or OUTLOOK s/w.
iPod Touch/iTunes installed on Windows Laptop.
iMac home computer, w/ no iCal or iTunes data loaded yet in the user account.

Contacts:
---------------
Step 1. Export Palm Desktop contacts to CSV file, import to Yahoo Contacts
Step 2. Tell iPod via Windows Laptop iTunes to pull contacts from Yahoo account.

Calendar:
--------------
Step 1. Save your Palm Desktop Calendar to Date Book Archive (dba) format.
Step 2. Upload/Import dba archive to Yahoo Calendar.
Step 3. Export Yahoo Calendar to outlook CSV format.
Step 4. Import CSV formatted calendar into Google Calendar
Step 5. Export Google calendar to iCal format on Mac computer
Step 6. Sync iTunes w/ iPod on Mac computer (w/iCal). Do NOT sync iTunes music, or it will vaporize all the music that was on the iPod Touch.

Tasks, Notes:
------------
Step 1. Establish ReQall web account (free).
Step 2. Cut/paste individual notes and tasks from Palm Desktop on Windows laptop to ReQall on web.
Step 3. Install ReQall (free) app on iPod (in standalone, WiFi mode), type in your ReQall account name and info.
Step 4. Click 'sync' in ReQall to synchronize web ReQall data and iPod Touch ReQall data.

Photos:
-------------
Take your favorite photos from Picasa (Windows computer), export them to a folder with 640x480 resolution. Import into iTunes on Windows computer. Sync iPod.

Monday, June 04, 2007

Tour de Office Space

Every time I visit Austin I try to stop by a location where they filmed 'Office Space'. It's one of the best flicks of all time. Whip out your red Swingline stapler and enjoy! This is a panorama shot of the Initech building on 4120 Freidrich street... it's about 5 minutes away from the AUS airport. The street and the buildings across from Initech are the actual spots where they film Peter Gibbons (Ron Livingston) during the 'fire' scene.


My crappy orange rental car is parked in Lumberg's space. Damn it feels good to be a gangsta!


In the movie, there is a blue truss between the buildings, as well as a 'percent' sign sculpture. A tree is there now, and I'm pretty sure that both the truss and sculpture were done with CGI for the movie.


Here's the ditch where Tom Smykowski nearly passed out while ranting about consultants. It's in the southwest corner of the 'Initech' parking lot.


I handed the camera to some tatoo'd dude sitting on the hood of his car smoking cigarettes and drinking Coors light in the parking lot. He was a bit apprehensive at first, but then I explained the significance of the ditch and that it was from Office Space. He said, "cool", and gladly shot the picture.


This is from 2005. We ate dinner at the Old Alligator Grill, which is where the interior shots of 'Chotchkies' were filmed. The hostess had no clue what I was talking about until I pointed to the 8x10 shots right in front of her, adjacent to the entrance. A missed marketing opportunity...


Here is the corner where the infamous 'flair' speech took place between Mike Judge and Jennifer Aniston. Everyone in the real restaurant just wears polo shirts. They did not have pizza shooters, shrimp poppers, or extreme fajitas on the menu... mostly cajun cuisine.


The restaurant has been expanded since making the movie, but the original wing where they filmed Office Space is still intact. The bar has some flair of its own.


The Old Alligator Grill (exterior). Located at 3003 S Lamar Blvd in Austin.

The Chotchkies building exterior is shown here in the Arboretum. It's on my list of Office Space places I have yet to see.

Thursday, June 01, 2006

The Filth of Naples, Italy

Other spots in Italy are nice, but Naples is a real poophole.


Here's a panorama of the city from the Capodichino area. Note the car fire/burning trash on the right.


Here's the first and last impression you get of Naples, less than half a mile from the airport.


There's filth even on the monuments. There's a t-shirt or rag on the statue in Piazza Garibaldi downtown. Meanwhile, a street sweeper sits idle (and unmanned) on a Monday afternoon.
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Monday, May 29, 2006

Pentax DA 40mm f 2.8 Limited Lens review

Here is my review of the new Pentax DA 40mm f 2.8 Limited lens.

This is a great lens for AF portrait photography and I would put the optical quality in line with a 50mm fixed lens (such as the old school K 50/1.4 that I already have). The lens is sharp and (not surprisingly) outperforms the 18-55mm kit lens at some ends of the spectrum.

Contents - The lens comes with a leather pouch, screw-in metal lens hood (I leave this on all the time for protection), and a quarter-sized screw in metal lens cap.


Build - Rock solid build all-around, even the cap and hood. It's built like a tank. This thing is all metal and SOLID. It feels like a nicely built manual focus lens, and the manual focusing ring is nicely damped.


I'll show the shots taken with the DA 40mm Close first. Fist shot is comparison of close-focused, wide open. CLICK ON EACH PHOTO for high resolution view. NO, I WILL NOT POST 20MB RAW FILES. THIS IS A FREE SERVICE, AND I AM NOT ALLOTTED THE SPACE TO POST SILLY HUGE FILES. GO TO DPREVIEW.COM IF YOU WANT HIGH RES PHOTOS OF EYE CHARTS.

SHOTS CLOSE FOCUSED, WIDE OPEN
Here is the 40mm lens at 2.8 [L Cf 28]


Blow-up of highlighted area [LCf28Blow]. The tree in the background is smoothly blurred.



Here is the same shot taken with the kit lens wide open [Zoom Cf45]



Here is the highlighted are a blown up [Zoom Cf45 Blow]
Notice there is a bit of double vision on the branches in the back. Not so good bokeh close focues on the zoom lens.

SHOTS AT INFINITY, WIDE OPEN

Here is the 40mm lens at 2.8, infinity [L inf 28]

Here is the foreground corner enlarged [L inf 28 Blow]
Note the smooth blurred leaves in the foreground.


Here is the kit zoom lens at infinity wide open (f 4.5) [zoom inf 45]

Here is the enlarged area [zoom inf 45 blow]. A bit of double vision in the foreground on the leaves and branches.

ZOOM LENS AT INFINITY, F 5.6
I put this one in here to show how good the Limited lens really is, even wide open.

Kit zoom lens at infinity, 5.6 [zoom inf 5.6]

Here is the detail area [zoom inf 56 Blow]. Notice that the tree in the background is still not as sharp as the Limited lens, EVEN WHEN THE LIMITED LENS IS WIDE OPEN, TWO FULL STOPS FASTER.


STOPPEED DOWN COMPARISON.

Here are both lenses at infinity, f 22. No discernable difference...



If you can tell which lens is which, let me know.

CONCLUSION. The L lens blows away the kit lens anywhere faster than f 5.6 in sharpness and bokeh. If you are looking for a 60mm (35mm equivalent) lens for shooting portraits, maybe this lens is worth it. If are taking pictures where you can get your portrait subject to sit still, the old manual 50mm lenses are still a great deal (and a bit faster).

If you are looking for an 'all around' lens, the kit lens is still a great performer for the price (about $100 if bought with the camera). If you are looking for a wide angle fixed lens to use as a walkaround lens, the 40mm Limited is not it. I would wait for the upcoming DA 21 mm f3.2Limited lens for this one.

Thursday, May 18, 2006

Kids w/ cameras - a revelation.

I took my son to the Carlsbad Flower fields a few weeks ago to take some photos. I brought along my Pentax DL Digital SLR as well as my Powershot A70 point n shoot camera for my son to use. The weather was overcast, but this was my day off and rain was the forecast for the upcoming weekend. We decided to pay the entance fee and press on with our little photo excursion.

As luck would have it, I forgot to put the SD card back in my Pentax and I had no 'film' to shoot with. All we had was the point n shoot to share between us. Since this was supposed to be a fun outing for my son, I sucked it up and let him take (almost!) all of the photos for the day using the point n shoot.

Wow. I'm actually glad everything turned out this way. Until now, I never fully realized what fascinates the mind of a first-grade lad. He likes legos, trucks, and machines, but I gained a new appreciation for how his mind works after this 'photo essay'. Some of the pictures he took actually had flowwers in them!! Below is a 40,000 word sampling of our outing. Judge for yourself...
Trucks passing by the Costco across the street.



Sprinkler valve manifold.



Mud-caked tailpipe on a pickup truck.



My son went into the porta potty and I offered to 'hold the camera' for him. I consider this the best shot I made during the two minutes I had the camera, but radically different from anything that interested my son.


This is all made possible by digital camera technology! Years ago my first camera was a kodak 110 camera with cartridge film. The learning curve was steep- I did not learn about exposure and (disposable cube) flash use until weeks after burning a few rolls. Today my son can fire away on the digital cam and we just delete the blurred or crummy pix. I keep the remainder of my son's pics in a separate folder on my computer and print out his favorite fotos on snapfish.

For parents, I highly recommend doing this with your kids for three reasons: (1) It's a great way to understand how your child sees the world. (2) You can graphically catalog the development of his mind through his photos. (3) MOST IMPORTANT - I made the startling discovery that a small camera in the hands of an active child acts as a boat anchor- I can easily keep pace with him and do not have to sprint to chase him around!!

Tuesday, April 04, 2006

Pentax *ist DL with 18-55mm kit lens review

Here's my hands on review of my new Pentax *ist DL with DA 18-55mm kit lens I got for my birthday.

PRICE.
Can't be beat! Got this photo taking machine for $480 online and could not pass up the deal. I originally was pining for a new Nikon D200 with 18-200mm VR lens, but then had major repairs required in my house. Now on a budget, I started looking online at all the DSLR's, including Pentax. Pentax stumbled out of the gate with their initial DSLR offerings (no digital lenses, no IS lenses, istD more expensive than Canon Rebel) but has rapidly put their act together. I could not pass up this deal for under $500, with the ability to work with my old bag of lenses and gear. Perhaps the marketing agreement with Samsung has infused Pentax with much-needed cash to focus on its roots- a great optics company. PENTAX IS BACK, BABY!

PACKAGING
Nice box. The cam and the lens are in individual boxes, put together in one larger 'kit' box about the size of a shoebox.


MANUAL
Not too bad, but obviously suffering from the fact that it is translated from Japanese rather than written by a technical writer from PENTAX USA. Example: it lists the fact that you can use 'K' and 'M' mount lenses in a chart, but does not give you any useful information as to HOW. Information on how to use old-school manual lenses with your DL can be found here.
Also cannot figure out how the AF spot focus works. Is it on during AE-Lock by default? If you choose AF-spot in settings, does this carry over to all modes? I'll have to figure this one out b/c the manual on this topic reads like a choose-your-own-adventure novel from when I was a kid.

BODY
Solid. Feels like a substantial tool in the photographer's hand, rather than a flimsy plasticy toy. A lot smaller than the D70s, and can fit into a jacket pocket or purse with a normal prime lens (DA 40mm f/2.8 review to follow soon!).

Pentax *ist DL. Lens hood and hand model not shown.

CONTROLS. Nice layout. I was originally a bit put off by the fact that there is no 'one touch' control of ISO, White Balance, and Quality settings. However, all you have to do is touch the function button once and one more touch of the four way button (north for Drive Mode, west for WB, east for ISO, south for Flash mode) and you are there.
DOF Prievew lever has moved to the outer ring of the shutter. I liked having it to the right of the lens but this location is ok, too. Kudos to Pentax to include this function on their entry-level SLR. They are the only ones to do this under $500 that I am aware of.
Flash control position is awkward. Pentax was the first SLR manufacturer to put a TTL flash on its SLRs with the SF1/SF10 back in the 80's, and for this reason my first SLR was the SF10. The flash popup button was right above the lens where your left thumb could find it without taking your eye out of the viewfinder.



I'm sure it saved some cost and weight by putting it on the back with the rest of the control buttons on the back panel, but C'MON, having the flash-up button on the back panel is CLOWN-SH!T, MAN! I expect this on a point-n-shoot, but not an otherwise fully capable SLR (note that Nikon D70 has the flash button right where the left thumb can reach it above the lens). In Pentax's defense, the flash pops up on its own in most Auto modes and you don't need to touch this button anyway.

SCREEN.
It's HUGE (2.5 inches)! I've already put a palmpilot screenprotector on mine to prevent scratches and schmutz from my greasy nose from ruining the LCD screen. Totally dwarfs the D70S.

BATTERIES
Love the AA's! I hate having to carry an extra battery and charger whenever I go on the road for my gadgets. Bravo to Pentax for sticking with AA's and not forcing the consumer to buy another $80 spare battery and charger.

VIEWFINDER.
The DL viewfinder is ok, but rather dim when compared to my workhorse KX with its pentaprism and ground glass viewfinder optics. I compared this to a friend's Nikon D70S and it is about the same quality. I also got my hands on a DS the other day and the DS is somewhat brighter (bot not $200 brighter!).
I found it tough to manual focus up close on pets/people with the matte screen on the DL (test shots with manual 50mm/f1.4 lens to follow in a few days). The DL lets you know with the familar Pentax 'double beep' and green hexagon indicator if it thinks you are in focus. However, shooting with my old M50/1.4 lens up close showed less than satisfactory results. On one shot, it said I was in focus, but I had focused on the top of the pet's head (rather than the eyes).

FPS
I've shot about 3 fps in Manual, JPEG mode (don't wait for AE/AF). Pretty quick, but leaves a bit to be desired if you are trying to shoot fast changing action (kids hitting tee balls). Fortunately it is digital, so you can burn as many shots as you need and delete the bad ones later.

AF
Pentax still uses body-driven worm gear AF unlike Nikon and Canon who place the motor on the lens. This may be a bit slower but I cannot complain on the speed available on the kit lens. Did not miss the 11-point (or whatever) AF system available on the DS/DS2. I always pick the one spot I want in focus, meter off of it, and pan around to recompose. 3-point is more than enough for me. Otherwise I am always worried about my composition being 'outsmarted' by the camera.


Pentax SMC DA 18-55mm kit Lens.
Feels good in the hand. Solid build quality with metal lens mount and plastic body. 52mm lens thread. Front element does NOT rotate. The build quality and workmanship are very good for a 'kit' lens under $100 (with the body). Some manufacturers sell you an SLR kit with a junk lens that has a plastic body mount and rotating front element. I'll have to get a step-up ring to use my 58mm polarizer filter from my old Pentax lenses, though. 5.6 maximum aperture at the tele end is a bit slow, but these new DSLRs supposedly allow you to shoot up to ISO 400 and 800 with minimal lost resolution. Should not be an issue. In a probable cost-saving move, Pentax has gone the way of all other SLR manufacturers and ditched the aperture ring on its DA- series lenses. I guess I'll get used to the scrollwheel to change aperture :(

TEST SHOTS

(notes: 1 - EXIF data embedded in each shot in the file if you wish to view it. Click on each image to enlarge.
2 - I am pointed just to the left of the afternoon sun in most of these shots.
3 - I shoot pix of landscapes, kids, and pets, so these are what my somewhat subjective test shots reflect. Pix of 3AM-tv-station-test-patterns or a box of crayons can be found elsewhere if you need them.)



18mm f/3.5 1/3000s

Looks good, some light fall-off, one flare spot (L Center).



18mm f/22 1/60s

Sharp, but FLARE CITY! I'll have to use the inclluded tullip bulb hood (or my hand) if I shoot wide angle, wide open into the sun.



35mm f/4.5 1/3000s

Sharp in center, soft lower left corner (see palm trees)



35mm f/22 1/125s

Sharp, no flare, palm trees in LL corner sharp.



55mm f/5.6 1/2000s

No flare, AF chose cherry tree focus, not infinity.



55mm f/22 1/180
Minimal light fallof, no flare, sharp all around.


BOKEH
I'm a bit of a bokeh snob. When I look at a close-up photo I expect blurry discs and circles in the background, not double-vision, ellipses, and out-of-focus donuts.



55mm f/5.6 1/120s Nice and smooth, a bit elliptical on the edges (see zoom box). Overall good bokeh at the 55mm telephoto end.






18mm f/3.5 1/500s
Bokeh good in the center, not so good beer-goggle/double vision (see chair zoom) and donuts (see cherry blossoms) on the edges. Conclusion: Not so good at the wide macro end, but I cannot think of any time I have desired to compose a shot using wide macro.

BARREL/PINCUSHION
Cannnot tell from my test shots b/c there is no horizon or leading vertical line. Don't really care, though, b/c barrel/pincushion can be easily post-processed out.

CONCLUSION
What a great kit! Sure, there are some things I would prefer Pentax had done differently, but no complaints for fully functional DSLR kit for under $500! I'm sure some compromises were necessary to achieve this price point. Coming soon: Tests with my old-school metal MF lenses and the new DA 40mm f/2.8 lens!